“Andrew Frisardi is a sensitive and accomplished poet, and a widely-read and insightful Dante scholar. More than this, he is a lover of wisdom, in the same sense that Dante was. It is this love which gives to his exposition of Dante’s art and thought its clarity of understanding, and its depth of authenticity; and it is this which speaks, in the light that links the intellect to the empyrean, directly to our own condition.” — JOHN CAREY, Professor of Early and Medieval Irish, University College Cork; General Editor, Temenos Academy Review
“At its core, Love’s Scribe: Reading Dante in the Book of Creation is about the alchemical integration of Knowledge and Love within Being, detailing how, through a process of spiritual refinement and sublimation, the poet ascends to a primordial nobility befitted to Love, which makes him worthy of the Beloved. In this work, Andrew Frisardi, a leading authority on Dante, offers a work, yes, of excellent scholarship and metaphysical nuance, but congenially accessible also to those new to Dante.” — M. ALI LAKHANI, author of The Timeless Relevance of Traditional Wisdom; Founder-Editor of Sacred Web: A Journal of Tradition and Modernity
Praise for Andrew Frisardi’s edition of Dante’s Vita nova (Northwestern University Press, 2012):
“[Andrew Frisardi’s edition of the Vita nova is] a real monument, a real achievement, stunning actually. I never thought there would appear in English an edition so rich, so sound, so nuanced, so masterful in its introduction and commentary and notes. . . . To be able to lead anyone into this text, and show what is really happening, and the extraordinary depth and complexity and originality of it in terms that are still comprehensible to a non-Dantist, I don’t think has happened in any edition before, in Italian or English.” — CHRISTIAN MOEVS, Associate Professor of Italian, Notre Dame University; author of The Metaphysics of Dante’s “Comedy”
“Andrew Frisardi’s splendid new edition of Vita nova combines his compelling translation of Dante’s original work with a rich and fascinating scholarly commentary. At last Dante’s innovative and influential masterpiece is available in a contemporary version that captures both its beauty and complexity.” — DANA GIOIA, former chair of the National Endowment for the Arts; author of 99 Poems: New and Selected and The Catholic Writer Today and Other Essays
Praise for Andrew Frisardi’s edition of Dante’s Convivio: A Dual-Language Critical Edition (Cambridge University Press, 2018):
“Andrew Frisardi’s . . . excellent edition-translation and its apparatus is to be welcomed for its concern to present afresh the Convivio to an anglophone readership and for the ways it foregrounds its importance and multifaceted character as one of Dante’s most important ‘other works.’” — SIMON GILSON, Agnelli-Serena Professor of Italian Studies, Magdalen College, Oxford University; author of Reading Dante in Renaissance Italy
“Andrew Frisardi’s . . . book is a long-awaited gift to the world of literature and philosophy. . . . [His] translation surpasses previous versions: it is precise and sensitive. . . . His introductory essay . . . represents a most lucid introduction to the Convivio for both the academic and the more general reader. His commentary and notes are in tune with the most recent scholarship.” — AMBROGIO CAMOZZI PISTOJA, Assistant Professor in Romance Languages and Literatures, Harvard University; author of Dante and the Medieval Alexander
